“My job is very boring, I'm an office clerk”

10 Things: Echo Beach, Todd's and other lists, Grammys and jazz crimes, fulsome coverage, Sarah Hanahan returns, Kaia Kater

“My job is very boring, I'm an office clerk”
L-R: Jeremy Berkman, John Korsrud, Brent Mah, Kevin Romain (background), John Nicholson, James Meger (background), Ron Samworth, Tony Wilson at Zameen Art House on Jan. 31, 2025

I still enjoy doing this format after trying it out for a month. Are you cool with it?

I've been working as hard as I can while also being a hermit for the past week – not a bad week for it to snow! – so these are the notes of a shut-in, relative to some of January where I was out at a lot of shows. There's a time and place for everything.

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I heard the Tony Wilson / John Korsrud Octet at Zameen Art House last Friday: Brent Mah joined as another saxophonist on top of what I had listed as a septet. The music rocked and rolled but also got sensitive enough to focus the house's attention toward the two guitar veterans Ron Samworth and Wilson in key moments. Neither the horns nor guitars ever got too loud for the small room. My friend Kevin Romain on drums even sounded like he had some headroom for energy and fury.

The group played an arrangement of this song "Echo Beach" by Martha and the Muffins, which I'd describe as new wave, I guess? I'm too young for this. My title for this article is a lyric from the song, and it does not apply to me anymore, thank you very much! The Wilson/Korsrud version drills the main chorus riff into your brain and then washes it away with a respectable amount of noise.

Korsrud has a big show on Thursday featuring his even-larger Absolute Unit ensemble:

Absolute Unit - Fox Cabaret - Vancouver - Feb 13, 2025
Hard Rubber New Music Society presents Absolute Unit 18-piece orchestra featuring Aysha Dulong, Sara Gold, Christopher Kelly, Stefan Smulovitz – electronics Elliot Doyle, Trent Otter – drums Noah Franche-Nolan, Dean Thiessen – keys André Lachance, Ron Samworth – plectrums Adam Kyle, Connor Lum, Brent Mah, John Nicholson – saxes John Korsrud, Jocelyn Waugh – trumpets Sarah Jo Kirsch – vocals Hadis Fard – projections/ visuals Thursday, February 13, 2025 8 pm, doors at 7 pm Fox Cabaret 2321 Main Street Tickets at the door or at Showpass https://www.showpass.com/absoluteunit2025 – Sliding Scale For those looking for an unusual musical experience, Absolute Unit is an unpredictable 18-piece psychedelic lounge orchestra, playing indescribable music combining drum’n’bass, ambient, noise, soundart, and a few funky hits from the 70s. Absolute Unit is made up of an all-star collection of Vancouver’s top artists: 4 laptop/ electronica performers, two drummers, two keyboard players, bassist, guitarist, six horns, vocalist and projection artist. Innovative, high-energy and fun, this concert at the Fox will feature the mesmerizing visuals of Hadis Fard. Started in 2022 by John Korsrud, Absolute Unit has history of creating site-specific performances, starting with workshops at LanaLou’s in Vancouver’s DTES and more recently exploring the immersive acoustics of the SFU Woodwards Atrium. This will be its first show at the Fox Cabaret. Since 1992, the Hard Rubber New Music Society, under Artistic Director and Founder John Korsrud, has grown to be one of Canada’s most active and unpredictable producers of new music. Recipient of the Alcan Arts Award, the Society released its fifth recording, the Juno-nominated Iguana (2022). The Hard Rubber Orchestra has toured across Canada several times and to Europe and produced large multi-media shows including Cantata for the King and The Ice Age, a new music ice show. Stay tuned for upcoming shows: Saturday, May 31, 2025: Hard Rubber Orchestra plays Mahavishnu at the Rio Hard Rubber New Music takes place on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), səl̓ilw̓ətaʔɬ (Tsleil-Waututh), QayQayt First Nations

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The China Cloud is our latest venue to launch a GoFundMe. "Operation costs, bills, unpredictably slow business during usual high seasons, and infrastructure issues we were dealt all mounted at once to create a type of sudden financial struggle we had not been met with since 2020," they write in the description. They continue:

"We have set our fundraising goal at $20,000. A contribution toward this goal will help us to pay off retroactive rent fees, standard operating bills, and building maintenance costs accrued. This will allow us to settle accounts, get back to ones [sic] and reorganize to effectively create and manage our new business framework."

What's especially tough is they copied that passage verbatim, same dollar amount and all, from their last GoFundMe in 2020. I wish them the best.

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Todd’s Picks: 2024 Albums
Looking back on a year’s worth of very solid album releases and reflecting on the ones that stuck with me the most

I love publishing a 5,000+ word contribution by a passionate fan of the music. Thanks to Todd for doing it again this year. For what it's worth, some of the ones that I listened to the most last year and which appear on his list (and that aren't Cellar albums, which are of course all my favourites) are: